RedShark News

Practical 3D Filmmaking

Published in Production

Karl Schodt is an experienced 3D filmmaker. He believes that 3D's time is still to come; but come it will, and it will be soon

To mark the occasion of the new year, our editor has asked me to come up with some predictions for the coming twelve months

Vintage lenses for large-sensor cameras - Part 1

Published in Production

Here's another chance to read this meticulously detailed feature, where Uli Plank shows us how to look for lenses up to 50 years old, and use them with our modern, large-sensor cameras.

 

IKONOSKOP is back and with new investors - and a credible plan to move forward - the future is looking infinitely brighter than just a few months ago

RED and ARRI don't need to worry just yet, but here's more evidence that phones are the new camcorders

Canon set to release new EOS 70D camera

Published in Production

Based on a report from canonrumors.com, it seems the camera maker is launching the 70D, its update on the 60D crop sensor camera, very soon.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail

With the recent news that the new ARRI ALEXA SXT uses the same sensor as its prececessor, we ask whether innovation in cameras is slowing down

All the detail from Sony's London F5 + F55 launch

Published in Production

There's a lot of information to take in here with these new Sony cameras and all the stuff that goes with them. We've just been to the European launch and things are a little clearer.

Colour Look Up Tables demystified

Published in Technology & Computing

As digital video cameras get better, and their users become more ambitious, LUTs are used to preserve or manipulate the images. Understanding LUTs is now key to setting up a production workflow

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