4K Ready? 4K Now! One of the things that was most noticeable about IBC2014 was that 4K is now very much a part of the mainstream. That’s not to say there wasn’t still room for debate, though.
Redshark’s VFX Reporter HaZ takes a trip to Montpelier to visit Dwarf Labs: a CGI animation studio in Montpellier, just off the French Mediterranean seashore. Dwarf’s ambition is to create world-class computer-generated imagery that appeals to audiences of all ages.
It's a little late perhaps (the film was released in June 2012), but we came across this fantastic VFX breakdown for Prometheus. Early warning: There's a very big spoiler in it and this article - just in case you haven't seen the film yet
X-Men: Days of Future Past holds a very special distinction for its franchise: it is the first X-Men film nominated for the Academy Award in Best Visual Effects. Here we celebrate the film by sharing two illuminating and visually sumptuous VFX breakdowns.
In our next installment of our series highlighting 2015's Oscar nominees for Best Visual Effects, we look at Guardians of the Galaxy, one of three VFX nominees featuring characters from the all-conquering Marvel Universe.
The latest in our series highlighting Oscar 2015's Best Visual Effects nominees: here we feature Dawn of the Planet of the Apes with a group of videos that illuminate the film's VFX processes.
In the third instalment in our series looking at the development of VFX in films, Andy Stout looks at the rise of the computers and takes us from the basic (TRON) to the frankly sometimes terrifying (Jurassic Park)