RedShark News

It's here: NAB 2013. Prepare to be surprised and amazed.

Published in Business

The NAB exhibition in Las Vegas starts on Monday 8th of April, and the RedShark team is packing its bags ready for a long flight to Nevada on Friday. Stand by for NAB's big and surprising announcements

Sony sets out its vision

Published in Business

Sony's press conference at the IBC is always worth going to, not necessarily because of new product announcements but because there are always new facts and figures, as well as a glimpse at future directions and priorities

RedShark Technical Editor, Phil Rhodes, reviews the ColorEdge CG318 32in 4K monitor from Eizo and determines its suitability for film professionals and whether it's worth the hefty price tag. The clue is in the title...

RedShark reveals The New F from Sony tomorrow

Published in Production

Tomorrow morning, at 8:00am in London, 4:00 in New York, 1:00 AM in Los Angeles, we'll bring you the news of Sony's new product or products. 

At IBC, Sony Creative Software has announced two new products to aid in the management of media from Sony Cameras and others, Catalyst Browse and Catalyst Prepare.

First street prices for Sony's F5 and F55

Published in Business

Sony caught the entire industry on the hop with their low list pricing for the recently-announced F5 and F55 4K-capable cameras, but now we're seeing the first street prices, and they are, of course, even lower!

Microsoft and Sony are battling for your living room

Published in Business



Now that the next-gen console battle lines have been drawn, guess what? Sony and Microsoft want the same domain: your TV and everything near it. David Valjalo investigates

4K hits the high-street

Published in Technology & Computing

How is 4K being presented to the shopping public?

Sony's latest range of Televisions, the W9 series, feature a new backlighting technology which massively increases the range of colours that can be displayed.

First Sony F5 video short

Published in Production

Here's the first video we've seen shot on Sony's new F5 (as opposed to the Global Shutter'ed F55)

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