RedShark News

Chaplin, Astaire and... Gumdrop!

Published in Production

In Gumdrop, a young actress charms her way through a screen-test. The twist? She’s a CGI robot vacuum cleaner

How to fund a short/independent film - Part 2 of 3:

Published in Business

Approaching Crowd-sourced funding

Oscar-nominated short films get chance in spotlight

Published in Post & VFX

Often some of the more creative work you will see over the course of any given year, this year’s Academy-nominated short films are set to air on the big screen. Catch them while you can.

Hypnotic Short: Delirium Lionfish

Published in Post & VFX

Quique Rivera Rivera delivers a hallucinatory video allegory in ‘El delirio del prez león’. It’s sans-dialogue, so non-Spanish speakers can enjoy the trip, too.

We were a little bit underwhelmed when we saw the first footage from the F55, not because there's anything wrong with the camera - far from it;  but because it was shot incredibly flat, and we kind of expected something a bit more eye-catching than that. The whole experience set us off on what was essentially a rant about how you shouldn't use YouTube or Vimeo to judge the quality of a camera

R'ha: The best sci-fi short of 2013 (so far)

Published in Production

It didn’t take long for a sci-fi short to make noise in 2013, courtesy of animation student Kaleb Lechowski, who took a can-do approach in realizing his mini-epic

Film finance through...eBay?

Published in Business

Dice Tsutsumi and Robert Kondo, Pixar art directors, are taking an unconventional approach to fund their animated indy short. They’re selling their art to the highest bidder.

Abstract fantasy based around the Voyager spacecraft

Published in Production

When viewing shorts, it’s easy to be lured by Hollywood-style plotting, explosions and photorealistic animation. ‘Voyager’ reminds us the abstract can be just as compelling...

True Skin: Sci-Fi short hits the big time

Published in Production

In what is becoming an industry trend, Music video FX impresario Stephan Zlotescu and N1ON score a feature deal from their CGI-fueled video. At RedShark, we’re suckers for a great Sci-Fi short.

Red Giant: Stu Maschwitz on Run Like Hell

Published in Business

 

Stu Maschwitz is a filmmaker, visual effects supervisor and the Creative Director of Red Giant Software, where he helped develop Magic Bullet Looks, BulletProof, Colorista II and more. In the past, he was a VFX artist and supervisor at Industrial Light & Magic (ILM) for four years, and then co-founded visual FX company The Orphanage in 1999, who did FX for several movies including Joon-Ho Bong’s monster film The Host (2006), Iron Man (2008) and more

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