CMOSIS upgrades CMV12000 sensor to 300fps at 4k (4,096 x 3,072)
A Kickstarter-funded digital 16mm camera is one of 2012's most intriguing stories. RedShark's reporter Peter Haas talks to Joe Rubinstein, co-founder of Digital Bolex
If you're one of the people who's preordered a Blackmagic Cinema Camera, unless you're very lucky, you will probably have noticed that you don't actually have one yet. RedShark, in common with the rest of the world’s media, is eagerly awaiting the arrival of a camera to put through its paces.
You may have heard that one of the top camera manufacturers is taking legal action against another for alleged patent infringement. This is news, but there's very little point in speculating about the outcome at this stage. Only a select group of people working for those companies will have access to evidence that proves the rights or wrongs of the case. We certainly don't
Recently I've been expressing the view that all cameras are pretty much the same, because they all use the similar technology (give or take) for their sensors. I don't mean to be unnecessarily cruel about the work of camera manufacturers – taking an electronic component such as an imaging sensor and making it into a usable tool is far from trivial. Still, the absolute performance of cameras is determined by what you can get off the lump of silicon behind the lens