RedShark News

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

Convergent Design, who gave us one of the biggest product surprises at NAB 2013 with their Odyssey monitor/recorders, has released pricing information about their modular system, including daily rental options for additional and camera-specific codecs

A new, higher quality version of ProRes is immediately supported by the ARRI Alexa

We take a look at Cinemartin's Cinec 4 transcoding tool and whether it's worth a premium over lower-cost and free options.

This new device from Atomos is what DSLR users have been waiting for - and its half the price we expected!

Why you should use Avid DNxHD and Apple ProRes

Published in Post & VFX

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs

Blackmagic URSA - unboxing and first impressions

Published in Production

We've just taken delivery of an URSA for a review. Here are our first impressions

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology & Computing

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

Blackmagic Cinema Camera footage captured as ProRes

Published in Production

Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily

Somewhat surprisingly, Sound Devices has added the ability to record 12-bit, 4:4:4 content to Apple ProRes 4444 format at 330 Mbit/s, giving a "perceptually lossless" quality to stored material

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