RedShark News

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

Major upgrade to PIX 240 from Sound Devices

Published in Production

Sound Devices has just posted a major firmware update to its Pix 220/240 series of file-based recording devices

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

Atomos is one of the best examples of a company that rides the wave of new technology. As soon as a new function or capability becomes possible at a sensible price point, Atomos jumps on it and makes a product.

All you need to know about ProRes: Direct from Apple

Published in Technology

ProRes remains a living codec and proof of that came out two days ago when Apple announced ProRes XQ - an ever higher quality variant

Why you should use Avid DNxHD and Apple ProRes

Published in Post

Modern cameras are simply amazing. The idea that you can record cinema-quality video on a still-picture camera that costs only a few thousand dollars still seems unreal at times.

Sony Alpha 99 Provides Clean HDMI Output

Published in Production

We've just heard from PhotoKina that the Sony A99, with it's 24 megapixel full-frame sensor, outputs a clean HDMI signal that works with external field recorders. This is looking like an established trend now.

AJA's Ki Pro Quad now shipping

Published in Business

AJA has announced that they're shipping this extremely capable 4K recorder and it is, perhaps, a good time to recap its functionality. There are a number of angles to this complex product

Blackmagic Cinema Camera footage captured as ProRes

Published in Production

Blackmagic's original Cinema Camera continues to amaze, with some people likening it to a mini Arri Alexa. Most of what we've seen from the camera - understandably, has been from the raw footage, subsequently graded - sometimes heavily

The best Magic Lantern footage we've ever seen

Published in Production

 

Andre Meyer has produced some wildlife footage using a Canon 5D Mk III, the like of which we've never seen

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