RedShark News

Replay - The best of 2012: 8 bit or 10 bit?

Published in Technology & Computing

In case you missed first time around, here's one of the best articles from 2012, by Phil Rhodes: 8 bit or 10 bit? The truth may surprise you!

We don't think anyone was expecting this. This is such a NON Sony thing. Sony has just announced on their Community website that the Sony F5 and F55 will be able to have a hardware upgrade to two of the most popular post production formats: ProRes and DNxHD

Why you should use Avid DNxHD and Apple ProRes

Published in Post & VFX

Here's another chance to read this article about why it's a good idea to use ProRes, Avid DNxHD, and any of the other production quality compression codecs

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

Why the new ProRes update for the Blackmagic cameras is going to change everything for users of the Blackmagic pocket camera and open possibilities to new users who thought it might be out of reach for them too!

Why are there so many camera codecs?

Published in Technology & Computing

Why can't cameras all use the same codec?

Panasonic has just released a firmware update which delivers a raft of new recording modes and features for the Varicam 35 and Varicam HS cameras.

We predict two camera trends for NAB 2015

Published in Articles

Now is a good time to make a few tentative predictions about the year ahead, just before NAB comes along and proves me completely wrong

We take a look at Cinemartin's Cinec 4 transcoding tool and whether it's worth a premium over lower-cost and free options.

Sony's Glasnost: Is Sony opening up to working with other companies and products?

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