RedShark News

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

Vintage lenses for large-sensor cameras - Part 2

Published in Production

In part 2 of this fantasticly detailed article, Ulrich Plank advises what to look for, and what to look out for!

It’s fast but it’s also a zoom lens! For a long time now, zoom lenses have been firmly in the world of compromise. They are practical in terms of saving lots of time on low budget productions but that advantage comes at a cost.

Buyer Beware!

Published in Business

I recently encountered a thread on one of my favourite forums in which someone was asking for opinions on a Canon EOS-60D package he'd seen on ebay. This package included the 60D body and extras including three lenses including a battery, charger, flash cards, various filters and diopters, cleaning kit, tripod, and more. All of this was neatly photographed and posted for sale on Ebay by a vendor we'll call, in order to protect the guilty, Pretty Cheap Digital, based in New York

Sigma surprised a few people when they announced their new 18-35mm zoom lens with a constant f/1.8  aperture back in April. Now they've surprised a few more by announcing the price - $799

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

The Opposite of Precision

Published in Technology

Who needs lens adaptors?

Perfect lenses are coming soon - but would we want them?

Published in Technology

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses.

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

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