RedShark News

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

Phil Rhodes looks at if Samyang's Lenses will be able to compete with in a market with an unbelievable price - eight to twenty times lower than the competition!

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

It’s fast but it’s also a zoom lens! For a long time now, zoom lenses have been firmly in the world of compromise. They are practical in terms of saving lots of time on low budget productions but that advantage comes at a cost.

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

The Opposite of Precision

Published in Technology & Computing

Who needs lens adaptors?

If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable

The crop factor controversy

Published in Production

Phil Rhodes shares his view on the use of "crop factor" to discuss focal lengths and the complications it can cause

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