RedShark News

The crop factor controversy

Published in Production

Phil Rhodes shares his view on the use of "crop factor" to discuss focal lengths and the complications it can cause

New Canon 2/3" zoom lens with "Shuttle Shot"

Published in Production

Canon has today released a new high performance 2/3" "HD" lens aimed at wedding and corporate videos, as well as educational and documentary use

The Opposite of Precision

Published in Technology & Computing

Who needs lens adaptors?

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

We're giving a lot of space to the Digital Bolex project because it's genuinely different and original. And the news keeps coming, and it's getting weirder, but still plausible. In fact there are such dramatic ideas coming from the little Kickstarter company that you have to begin to wonder how much it's going to change the world of video

Erik Vlietinck tries out the lens correction in this major new update with a GoPro camera

One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses

New Canon Cinema EOS System Lenses

Published in Production

Canon has released two new lenses to for its growing Cinema EOS System. The CN-E 14mm T3.1 L F and the CN-E 135mm T2.2 L F are aimed at a wide range of uses "from low to high-end", according to the lens and camera manufacturer

Last time, we discussed some of the technical concerns of lens selection and the issues of compatibility with sensors of various configurations and sizes. In this part, we'll look at the effects sensor size has on photography and the engineering compromises behind lenses and sensors

It’s fast but it’s also a zoom lens! For a long time now, zoom lenses have been firmly in the world of compromise. They are practical in terms of saving lots of time on low budget productions but that advantage comes at a cost.

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