RedShark News

Black is the new black

Published in Technology & Computing

A new nano material promises to transform camera, lens and display technology

A GoPro anamorphic lens adaptor for $199!

Published in Production

Now you can have cinematic widescreen with the GoPro Hero - ready to go with your new 21:9 television!

4K lenses. What does that even mean?

Published in Technology & Computing

When it comes to dedicated lenses and 4k, lots of people have an opinion. One that’s probably worth listening to more than most, however, is that of Cooke Optics chairman, Les Zellan, who tells Andy Stout that he’s not impressed

We're giving a lot of space to the Digital Bolex project because it's genuinely different and original. And the news keeps coming, and it's getting weirder, but still plausible. In fact there are such dramatic ideas coming from the little Kickstarter company that you have to begin to wonder how much it's going to change the world of video

The Opposite of Precision

Published in Technology & Computing

Who needs lens adaptors?

Tokina NEW 11-16mm CINE lens: Is it worth it?

Published in Production

Lens manufacturer Tokina is set to release a CINE version of its popular 11-16mm lens for APS-C and other crop sensor cams. But do the changes justify such an inflated price?

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: One day — soon — it may be possible to take almost perfect photos and videos with less-than-perfect lenses.

Buyer Beware!

Published in Business

I recently encountered a thread on one of my favourite forums in which someone was asking for opinions on a Canon EOS-60D package he'd seen on ebay. This package included the 60D body and extras including three lenses including a battery, charger, flash cards, various filters and diopters, cleaning kit, tripod, and more. All of this was neatly photographed and posted for sale on Ebay by a vendor we'll call, in order to protect the guilty, Pretty Cheap Digital, based in New York

The conventional view is that cameras that allow you to work with multiple lenses are always better. Barry Braverman disagrees.

If you use a professional digital camera, you can't go far without understanding the relationship between sensors, lenses and depth of field. It's slightly more complicated than you might have thought!. Phil Rhodes makes it understandable

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