RedShark News

Even in a world dominated by pixels and the "new aesthetic," there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how

Analogue Film: the Sequel

Published in Technology & Computing

Phil Rhodes looks at how Ferrania could be generating new prospects for photochemical film

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

An elegantly arranged test between some well known digital cameras and an analogue one!

Can Blackmagic resurrect film?

Published in Business


You know what you never hear in the edit bay? “This looks too much like film, can we make this look less filmic?” John Burkhart reports

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

Aaton reportedly out of business

Published in Business

News is circulating that Aaton have gone into insolvency

IBC 2012: Roger Deakins on the Arri Alexa

Published in Production

We're pretty sure Arri doesn't need any help from us to sell their popular Alexa cameras, but we found this clip from an Arri-staged event at IBC 2012 that features Roger Deakins, the award-winning Chief Cinematographer on Skyfall.

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