RedShark News

The future of film must include celluloid

Published in Business

A recent event held at the Getty Research Institute in the USA saw the likes of Christopher Nolan argue the case for the use of film in the digital era, against a backdrop that saw a mere 39 commercial US releases shot on 35mm in 2014.

Arguments about film vs digital are more numerous and more subtle than "which looks better?". It affects everything. Here's what people at the coal-face think. By Matt Aindow

What is it about Film?

Published in Production

"There is no creative advantage to shooting film" says a top industry figure.  So why do top movie directors keep using it? By Matt Aindow

An elegantly arranged test between some well known digital cameras and an analogue one!

Here's another chance to read our review of the amazing Film Convert. (Note that this was first published in November 2013). Even in a world dominated by pixels and the "new aesthetic" there are a number of us who still love the seemingly undefinable look of celluloid film. Now, you can match it with digital video, very closely. In a major new review of Film Convert, Peter Haas shows how

Why adding noise to video can be good

Published in Technology & Computing

Adding noise to video may seem daft, but sometimes, it's the best thing to do

Super 8 is becoming popular again

Published in Technology & Computing

"...it's perhaps surprising that the Super-8 film format is still – in what we might have expected to be the twilight of its years – quite popular. The popularity of retro-styled web imaging services like Instagram is another instance of what I suspect may be the same trend, and goes some way toward confirming the suspicion that distressed images are now just as fashionable as distressed jeans"

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

ISO ratings made perfect sense in the days of photochemical film but only serve to muddy the waters when it comes to assessing camera performance in the digital age.

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