RedShark News

Digital Bolex: It's a drama

Published in Business

Never mind that it will be used to shoot drama - the story behind the design and production of the Digital Bolex D16 is a drama in itself

Belle: 1st UK movie to be shot in true 4K

Published in Production

A British film, Belle, is the first in the UK to be shot in true 4k with Sony's F65 camera

Guest author Pavan Deep tells us why he prefers to shoot film, even when editing and finishing digitally. 

Last chance for film

Published in Business

Much as it’s clear that the writing is firmly on the wall for film, it’s still a bit sad to see people like Fuji finally shutting up shop. Their UK office closes today, leaving Kodak the only game in town

Film is back! People are actually designing and making film cameras again. And this one uses accessible film stock - Super 8mmm

 Digital video can now demonstrably beat film in every way. So why do we keep comparing the two?

Is 3D just a phase? Danny Boyle thinks so

Published in Business

Now that the BBC has said that it's not actively pursuing a 3D future any more, does Stereoscopic video have any future? Danny Boyle doesn't think so

 If you live in the US and want to see a Paramount movie on 35mm, you're going to have to go and watch Anchorman 2. Well, it is described as “nearly as funny as its predecessor” on Rotten Tomatoes

Mexico: Putting the "business" in to film

Published in Business

Mexico, with its lengthy border with the USA, has a thriving culture, but lacks the financial means to compete with it's northern neighbour. Sergio L. Brito explains about Mexican history, culture and film making.

This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Toda, we're drilling down to the essence of the difference between analogue and digital. Here's Phil Rhodes' take on this persistent question. It's a fascinating read, and is pretty definitive on the subject.

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