Ever since DSLRs started became capable of recording high definition video, their audio capabilities have lagged behind. Some people have got round this by using external field recorders, but the ones that have included "proper" audio - XLR sockets, phantom power and good preamps, have added enormously to the cost of a DSLR rig
Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide
Symon Wyndham has been testing with a new compact HDMI recorder from Atomos, the Ninja Star, for the past week, and gives us his opinion.
We'll be getting a Canon 1Dc in a week or two because this is a unique camera: A DSLR that shoots 4K, and captures to MJPEG files which are not only a completely standard format but which preserve each frame in its entirety
We’re in a really odd place at the moment in the evolution of camcorders. Nothing seems straightforward any more
The NEX-EA50EH is an NXCAM Camcorder with a large format Exmor APS-C HD CMOS sensor and interchangeable E-Mount lens system that can shoot in full HD and take 16 megapixel still photos. It comes with the newly developed SEL-P18200 18-200mm Power Zoom E-mount lens with “Optical Steady Shot” image stabilisation
Think about this for a minute: what if Canon were to suddenly announce that their video-capable DSLRs could now output RAW video? That would be sensational, wouldn't it? At the very least it would be a candidate for the "biggest story of the year". Well, that's what happened yesterday. Almost