RedShark News

Canon's 4K EOS 1D C should be on sale now

Published in Production

Ever since the new EOS-1D C was announced way back in April 2012, enthusiasts were abuzz over Canon’s first attempt to cross the 4K threshold in a DSLR form factor

The biggest DSLR story of the year!

Published in Technology

Think about this for a minute: what if Canon were to suddenly announce that their video-capable DSLRs could now output RAW video? That would be sensational, wouldn't it? At the very least it would be a candidate for the "biggest story of the year". Well, that's what happened yesterday. Almost

Opinion: Is the DSLR dead?

Published in Production

With the ever-increasing choice in video cameras, some strong opinions are emerging. Craig Marshall reports

The birth of a new class of video software. BulletProof: it's designed to be "the other half of your camera".  We interview its creator, Sean Safreed from Red Giant software

Is the move towards large-sensor cameras completely one-way? Simon Wyndham doesn't think so

What were the video trends in 2012?

Published in Business

Probably the best way to find the real trends of the past year is to understand what people have been buying. And few would know better than Peter Savage, Managing Director of Azule Finance, a Berkshire, UK - based finance house supporting the creative industries

Are cameras getting a bit too "DIY" these days?

Published in Technology

RedShark Replay - another chance to see our most popular articles. It's one thing for cameras to be modular: that's a good thing; but should we really have to design our own custom rig for every new device?

In Pursuit Of Excellence: The RØDE Microphone Story

Published in Audio

Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide

The ENG-style camera with the heart of a DSLR

Published in Production

The NEX-EA50EH is an NXCAM Camcorder with a large format Exmor APS-C HD CMOS sensor and interchangeable E-Mount lens system that can shoot in full HD and take 16 megapixel still photos. It comes with the newly developed SEL-P18200 18-200mm Power Zoom E-mount lens with “Optical Steady Shot” image stabilisation

Low contrast modes are popular with DSLR cinematographers wanting to extend the dynamic range of their footage. It seems a good idea in theory - but does it really add up? Phil Rhodes investigates

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