Is the move towards large-sensor cameras completely one-way? Simon Wyndham doesn't think so
Peter J. Haas outlines how to go about planning a shoot that utilizes RAW image capture, including a file size comparison between DSLR formats and CinemaDNG , a discussion of shooting ratios and how this translates into storage requirements for a secure post-production environment
RedShark Replay - another chance to see our most popular articles. It's one thing for cameras to be modular: that's a good thing; but should we really have to design our own custom rig for every new device?
Broadcast Quality Audio Field Recording with Prosumer Cameras and DSLRs ("Unlocking the Mysteries of ‘Phantom Power"). RedShark contributor Craig Marshall reports
We'll be getting a Canon 1Dc in a week or two because this is a unique camera: A DSLR that shoots 4K, and captures to MJPEG files which are not only a completely standard format but which preserve each frame in its entirety
Low contrast modes are popular with DSLR cinematographers wanting to extend the dynamic range of their footage. It seems a good idea in theory - but does it really add up? Phil Rhodes investigates
The NEX-EA50EH is an NXCAM Camcorder with a large format Exmor APS-C HD CMOS sensor and interchangeable E-Mount lens system that can shoot in full HD and take 16 megapixel still photos. It comes with the newly developed SEL-P18200 18-200mm Power Zoom E-mount lens with “Optical Steady Shot” image stabilisation