RedShark News

Here's how to make your films look good

Published in Production

You don't have to rely on digital methods to give a film a distictive "look". Phil Rhodes explains

This is how to make a showreel

Published in Post

This is how to make a showreel. You have just a few minutes to grab people's attention. This is your calling card

Freelance colourist Warren Eagles looks at how software colour correctors have changed the grading industry; for better and worse

Colour grading breakdown

Published in Post

Colour grading has moved into the mainstream of video production, and we're always thirsty for advice about how get the job done convincingly - hopefully adding value to the finished work

Colour Correction Overload?

Published in Post

We love colour grading. The way you can transform mundane-looking footage and turn it into something rich and compelling is magical

Larry Jordan is a well known video industry figure, whose webcasts are listened to in 175 countries. We asked him about editing, color correction, the cloud, and whether he's looking forward to April's NAB - the biggest show of the year

What do electric guitars have to do with colour correction?

Published in Post

Well, nothing really. But some of the tech used to coax new sounds from electric guitars is similar to some types of video production techniques. It's worth taking an "out of the box" look at how the two compare. Oh, and there's some great guitar playing as well

What colour is night?

Published in Post

What colour is night? This simple question leads to some deeper questions about colour in film making

Processing colour with analogue eyes

Published in Post

Here's something different: An iPad app that teaches colour correction the way it used to be done with analogue film

Color grading in black and white

Published in Post

Tim Burton’s stop-motion Frankenweenie calls for black and white grading

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