Last week I was very fortunate to be able to borrow a Blackmagic Pocket Cinema Camera for the afternoon. I was meeting my daughter in Camden Market so I took the camera along and shot some bits and pieces. I have uploaded the footage to Vimeo
Whenever a popular new camera (or class of cameras in the case of DSLRs) bursts onto the scene, you can guarantee that a small industry will grow up around it supplying accessories and paraphernalia that wraps around the camera, giving a standardised and flexible system to mount external gear on
It's not shipping yet, but there are encouraging signs!
Products like the Blackmagic Cinema Camera and the upcoming Digital Bolex D16 - not to mention Magic Lantern-hacked EOS cameras are all capable of producing raw video. Just a few years back, virtually no-one had encountered this strange new format. Now, it's all over the place. Peter Haas looks at how you deal with this stuff in the real world
This year's NAB show has proved to be an interesting one for Digital Bolex, and perhaps not in a way that they would have wanted. With Blackmagic announcing (out of the blue!) their Pocket Cinema Camera - essentially at 16mm digital cinema camera - the "digital 16mm" space is now alive with competition
Blackmagic has announced the availability of DaVinci 11 in Beta form, available for anyone to download.
This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail