The 4K Production Camera is a camera that has been on the radar of many a camera owners mind since it was announced last year. Amongst the promises were 4K resolution, naturally, and a global shutter. All for the price of a couple of decent DSLR lenses.
At this year's NAB show in Las Vegas Autodesk announced that they were working with Blackmagic Designs to add support for their video I/O cards in Smoke 2013. It looks like that support is going to be here next week.
This holiday we're re-running some of our most popular articles, in case you didn't see them the first time. Today: Electronics is so completely integrated now that building new equipment is just a matter of glueing together a few parts you can buy from the Internet. Is this true? And is this the biggest threat to traditional camera manufacturers? In this article, we investigate this, and the background to it, in detail
There's so much interest in the Blackmagic Pocket Cinema Camera, and so little footage available from it, that when some does appear, it is news
This morning, I woke up in my Las Vegas hotel room unspeakably early thanks to persistent jet lag. In my email was a note from RedShark contributor Freya Black saying "Here's the article on the two new Blackmagic cameras"
Blackmagic's pocket cinema camera surprised everyone when it was announced, first by its mere and unexpected appearance, and second, by it's strikingly low price
Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.
This year's NAB show has proved to be an interesting one for Digital Bolex, and perhaps not in a way that they would have wanted. With Blackmagic announcing (out of the blue!) their Pocket Cinema Camera - essentially at 16mm digital cinema camera - the "digital 16mm" space is now alive with competition