RedShark News

This is the news that a lot of Blackmagic Camera users have been waiting for. It's what amounts to a complete rewrite of the code base for the Blackmagic cameras

How to make a video "selfie", while riding a bike, while singing, while making a music video, with a Blackmagic Cinema Camera

The world changed again today when Blackmagic introduced two more cameras. A 4K camera for $3,995, and - a total surprise a "pocket" digital film camera for $995. An excited Freya reports

Blackmagic expands ProRes options on all cameras

Published in Production

Lately, Blackmagic Design has been rolling out new features at a more brisk pace, as evidenced by a recent firmware update that adds more ProRes recording formats to its available cameras.

Thunderbolt 2 is not only capable of carrying a 4K video signal, but it's fast for storage too. Here's Blackmagic's latest effort to bring Thunderbolt 2 goodness to your SSD workflow

Blackmagic Hyperdeck Shuttle 2 now supports Apple ProRes HQ

Published in Production

Blackmagic Design yesterday released an update for its $345 Hyperdeck Shuttle 2 recording device enabling recording of Apple ProRes HQ files.

NAB 2014: AJA's 4K Global Shutter Camera for $9K

Published in Production

Following in the footsteps of Blackmagic Design, digital interface-maker AJA is debuting CION, a 4K camera, at NAB 2014.

Panasonic to go all 4K...in 2014

Published in Technology

The camera maker is taking the long way around the bend, promising 4K revamps of its products by the close of 2014. By then, will anyone care?

This year's NAB show has proved to be an interesting one for Digital Bolex, and perhaps not in a way that they would have wanted. With Blackmagic announcing (out of the blue!) their Pocket Cinema Camera - essentially at 16mm digital cinema camera - the "digital 16mm" space is now alive with competition

How the finance industry views developments at NAB

Published in Business

Now that the dust has settled and heads are clear after the industry’s annual jaunt to Vegas, Azule Finance’s Peter Savage reflects on this year’s show that bought the future into focus

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