RedShark News

Plural Eyes 3: Slick Sound Syncing

Published in Post

Recording audio separately from video is prone to synchronisation problems. Traditionalists use (electronic) clappers and the Timecode from the camcorder. Enter the new way to synchronise: Plural Eyes from RedGiant's Singular Software

EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect

Audio brings life to animations

Published in Post

I was present at the audio mixing stage of Aardman Animations' "The Wrong Trousers" or "Wallace and Gromit" as most people remember it. This stop-motion animation classic was hilarious from the first frame to the last, but for me the most memorable thing was seeing it without sound, and then with sound

Video isn't video without sound

Published in Audio

Video is only half the equation for a full production. Audio is important. To do it properly, you need skill and perseverence

In Pursuit Of Excellence: The RØDE Microphone Story

Published in Audio

Craig Marshall visits RØDE's headquarters in Sydney for RedShark and finds out what it takes to make high quality microphones that sell worldwide

The importance of audio in video making

Published in Audio

Here's a short series of videos from Microphone manufacturers Sennheiser that will help you improve your sound when shooting

There are advantagest to Adobe CC: you get iZotope tools

Published in Audio

iZotope's audio tools technology is now included with Adobe Premiere Creative Cloud

The pro audio monitors disguised as computer speakers

Published in Audio

Memory chip manufacturer Corsair has quietly been manufacturing a set of 2.1 "computer" speakers that sound far better than they should for the price. In fact, they're pretty much ideal for professional use, if you're on a budget

MIDI - 30 years on and still going strong

Published in Audio

MIDI is 30 years old and showing no signs of obsolescence. Nor is the first instrument ever to support it: the Yamaha DX7

Atomos Ninja 2 + Nikon D800: Part 3 of 3

Published in Production

Phil Rhodes looks at how you would use the Ninja 2 and Nikon D800 on a shoot. But first he compares HDMI and SDI.

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