RedShark News

In an ideal world, there ought to be no need to calibrate displays

We're following a bit of a theme here: ProRes versus in-camera recording. Here's an extremely interesting clip with a split-screen demonstration of ProRes vs a Canon C100's internal codec which is 24Mbit/s AVCHD

How does raw video compare with HDV? (seriously!)

Published in Technology

 RedShark reader Krasnapolski saw Peter Haas' film Peter Pan Bakery, shot with a Digital Bolex D16, and sent us a link to a very similar production: Mario's Cafe by Roland Denning, a customer at the cafe. It was shot with a Sony Z7 HDV Camera. It's fascinating to compare the two!

Ninja 2 + Nikon D800 Review: Part 1 of 3

Published in Production

DSLR users have long complained that they can't get clean, unadulterated line outputs suitable for high-quality recording. But the D800 is different. Phil Rhodes tests it with an Atomos Ninja 2 Field Recorder

Price announced for Sony's 4K A7S

Published in Business

After a long wait - but actually earlier than Sony said it would be announced, we now know the price of this Full Frame Mirrorless 4K camera

Sony's tiny 4K HandyCam supports a full 4K HDMI output that should be compatible with the upcoming Atomos Shogun 4K recorder - months before the A7S

 Sony's new A7s is a well thought out 4K-capable camera. Sony briefed us, giving some more information

Atomos Connect converters finally ship

Published in Production

Atomos, the Melbourne, Austraila - based company, has finally shipped their Connect converters. These are small, battery-powered gadgets for converting HDMI to HDSDI and vice-versa - with a few extra tricks hidden inside their compact packaging.

Sony's Glasnost: Is Sony opening up to working with other companies and products?

Atomos Ninja 2 + Nikon D800: Part 2 of 3

Published in Production

Phil Rhodes looks at the Atomos Ninja 2 Field Recorder in this second part of his Nikon D800 + Ninja 2 review.

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