RedShark News

In a statement released today (and reproduced below in full) ARRI has announced that its Amira camera will can be upgraded to record UHD (not 4K) internally, as UHDProRes

New ARRI Amira - our in-depth first look

Published in Technology & Computing

Phil Rhodes takes an indepth first look at the new ARRI Amira

 Hidden under the surface, there are some very big changes happening with the big manufacturers

Where's RED in the Oscars?

Published in Production

 

RED cameras are used in so many films. So why aren't they showing up in the Oscar nominations?

Pre-NAB Rumor: Arri's 6K 65mm Camera

Published in Production

In the run up to NAB 2014, the rumor mill is working overtime. But the rumor of a new 6K camera from Arri could be the real deal.

With all the modern technology available, why do we still not have the ideal documentary camera?

Can you make a feature film with an iPhone?

Published in Production

Can you make a feature film with an iPhone? Well, "yes" is the answer if you don't mind a slightly fuzzy-looking picture on a big screen, and if you sit far enough away, but you can certainly get a cinematic "look" if you use cinema-type techniques when you make your film, and some software to give your work its finishing touches.

In a sea of 4K announcements, and sailing serenely against the tide of opinion that the days of sub-4K cinema cameras are gone, ARRI has produced glorious-looking showreel for its Alexa camera; a taster for the plethora of projects it's been chosen for

ARRI ALEXA Mini costs $36,000...and it's a steal

Published in Production

While it may disappoint many observors who had hopes of a truly affordable ARRI camera, the premium pricing of the ALEXA Mini may be justified by saving productions money down the line.

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

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