RedShark News

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

 ARRI's intriguing new ENG camera made another tantalizing appearance recently in London. RedShark's Phil Rhodes was there

On the eve of the NAB show, ARRI has announced a collaboration with Transvideo for a 5" OLED field monitor that doubles as a camera controller.

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

While much of the ARRI press conference focused on news that broke weeks ago, its presentation of the Sky Panel LED softlights carried the show (and there was a killer leave-behind to boot).

Is this finally the end for film?

Published in Technology & Computing

ARRI's Alexa 65mm has made us think that it's a good time to look again at this question

NAB 2015: The difference a year makes

Published in Business

Something is different about NAB this year and it's probably a good thing as an industry once wedded to launching new products instead discovers the joy of upgrades, modularity, durability and extending the product life cycle. Buy a new camera today and the chances are it will last a lot longer than one even from just a few years ago.

Could the Amira be the ultimate indie digital cinema camera?

Red Shark Technical Editor, Phil Rhodes, reports from London's BVE 2015, both a precursor to the forthcoming NAB and a possible indicator of what we'll see there.

What's the best shape for a camera? Phil Rhodes has some strong views

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