RedShark News

Major new software upgrade for ARRI ALEXA

Published in Production

One of the best things about modern cameras is that they just keep getting better - even after you've bought them, they just keep getting better

Which is more important - the DOP or the Camera?

Published in Production

Why would someone specify a camera before they chose the cinematographer? David Read despairs...

4K cameras: A rundown of what's available now

Published in Production

In between IBC and NAB, most of the newly-announced 4K cameras are on sale. So before the expected avalanche of 4K announcements and previews at NAB, we thought we'd ask Phil Rhodes to run though what you can buy now

At a launch event in Los Angeles, ARRI wowed its audience of cinematographers and Hollywood taste-makers with its full-screen presentation of footage from the Alexa 65 and, better yet, hands-on time with the camera.

Pre-NAB Rumor: Arri's 6K 65mm Camera

Published in Production

In the run up to NAB 2014, the rumor mill is working overtime. But the rumor of a new 6K camera from Arri could be the real deal.

The paralysis of choice: The modern camera has a vast array of available features, but too often we find ourselves having to jump through hoops to get basic usability via add-ons, or standing in front of a bewilderingly long and involved menu scratched our heads trying to work out what it is we actually want. Just like buying a coffee. As Simon Wyndham writes, this needs to change.

Can you make a feature film with an iPhone?

Published in Production

Can you make a feature film with an iPhone? Well, "yes" is the answer if you don't mind a slightly fuzzy-looking picture on a big screen, and if you sit far enough away, but you can certainly get a cinematic "look" if you use cinema-type techniques when you make your film, and some software to give your work its finishing touches.

Could cameras like the AJA CION usher in a return to capturing great images in-camera? Simon Wyndham investigates.

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

Our resident VFX expert, HaZ, made an on-set discovery that not only eased his workflow, but solidified, in his opinion, the ARRI Alexa as the go-to camera for VFX shoots.

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