RedShark News

A clever little anamorphic adaptor opens up new possibilities for the ARRI Alexa

Pre-NAB Rumor: Arri's 6K 65mm Camera

Published in Production

In the run up to NAB 2014, the rumor mill is working overtime. But the rumor of a new 6K camera from Arri could be the real deal.

 Cheaper, cinematic cameras come with a cost - they tend to have Rolling Shutters, which means that rapid movement can be skewed. In the next few months, you'll be able to buy cameras with Global Shutters at all price points. This can't come soon enough, according to Phil Rhodes

Popular though the Arri Alexa is, some people have been deterred from recording the Raw output by the requirement for the camera to be tethered to an outboard recorder which sometimes cost as much to rent as the camera itself! RedShark contributor Freya reports

RedShark Technical Editor Phil Rhodes profiles Monocle, a new utility from ClipToolz that converts raw color into a black-and-white result that approaches a 'true' monochromatic image.

The paralysis of choice: The modern camera has a vast array of available features, but too often we find ourselves having to jump through hoops to get basic usability via add-ons, or standing in front of a bewilderingly long and involved menu scratched our heads trying to work out what it is we actually want. Just like buying a coffee. As Simon Wyndham writes, this needs to change.

Phil Rhodes on the Alexa 65

Published in Production

RedShark Technical Editor Phil Rhodes shares his thoughts on ARRI's announcement of its 65mm 6.5k Alexa 65, including why ARRI hasn't made a super35 4K camera, likely uses for the camera, and a quick run of the numbers.

F55: Where does it fit?

Published in Production

Phil Rhodes holds an F55 for the first time and tells us where he thinks it fits in the digital cinematography marketplace

ARRI ALEXA on the stage with Coldplay

Published in Production

Today's digital cinematography cameras come with a list of specifications that can excite and baffle in equal measures. There seems to be no end to the debate about resolution, dynamic range, noise and depth of field

Varicam "Image Rivals Alexa"

Published in Production

" My opinion is that for high end work it's the best 4k solution in terms of color/tone/latitude." says, Thatcher Kelley, one of the cameramen on the VariCam demo shoot

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