RedShark News

8K & Omnicam: more World Cup innovation

Published in Production

The 4K broadcasts from the latter stages of the World Cup in Brazil might have grabbed all the headlines, but Japan’s NHK also oversaw the capture of nine — yes, nine — matches in 8K, while the Final was also captured in 360° panoramic video too.

NHK & Mistubishi’s 8K HEVC encoder

Published in Technology

It looks unassuming, but this lump of rack unit kit is part of the future of broadcast. Given that five minutes of uncompressed 8K can take up an entire terabyte of storage, harnessing the power of HEVC to squash it down into something both storable and transmittable is a worthwhile venture. NHK and Mitsubishi have been the first to do it with this 8K encoder.

The Peril of 4K: Our Craft is Being Threatened!

Published in Business

4K resolution images enable plenty of post-camera hanky-panky.  Shooters embracing very high-resolution cameras must be aware of the downstream perils and threats to the craft that can pop up around them.

Despite the frivolous nature of the Eurovision Song Contest, the EBU is does work that is beneficial to broadcasters across the world

IBC2013: What We Learned

Published in Articles

In many ways IBC2013 was a quiet show. Yes it boasted record visitor numbers, but few things happened out in Amsterdam that hadn’t been predicted beforehand: namely HEVC-powered 4K is on the horizon, the second screen is increasingly important to broadcasters’ plans, and higher frame-rate imaging is moving closer and closer to mainstream acceptance. Andy Stout looks back on five days in Amsterdam

Just because we can do 16 bit, High Dynamic Range, 6K and 8K: does that mean we need it? Here's where to start in the debate

UHD is the new HD. Confused? You will be.

Published in Business

The mighty Consumer Electronics Association has defined 4K as UltraHD. Kieron Seth reports

Screens are getting wider: wider than widescreen. And this is a good thing

Tokyo 2020 points to 8K Future (and 4K's obsolescence?).

Published in Business

The decision by the International Olympic Committee to give the 2020 Olympics to Tokyo means that NHK's decades long project to bring its 8K Super Hi-Vision project to the masses not only has a deadline but that 4K now has the threat of built-in obsolescence to cope with.

There's a seemingly unstoppable trend towards more and more pixels. Greater resolution is heralded as the future of video. David Shapton doesn't think it is. He thinks there is another way. It's a radical suggestion, but completely plausible

EditShare 2014 © All rights reserved. EditShare Logo

Top Desktop version

music Are you sure that you want to switch to desktop version?