Business

Over the past few years the idea of crowdfunding independent movies has gained a lot of traction amongst filmmakers. Rakesh Malik explores the history of the finance model and some of the options available.
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The major television manufacturers have moved away from 3D displays, which makes us wonder why it wasn't more successful. Roland Denning has answers.
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Falling as it does a mere six weeks before NAB, the best reason to visit London's BVE remains the chance to bump into folk and network. It’s also though a seasoned show with plenty of time to catch up on technology that can be drowned out amid larger jamborees, and features a solid conference offering something for everyone. Here are RedShark’s Top…
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RED's recent gift to the School of Cinematic Arts at USC ensures that present and future students will learn their craft on high-end, professional gear.
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Conventional wisdom dictates that online video should be kept brief, yet recent changes to Facebook's algorithm for video prioritisation may cause you to rethink your next 30-second video.
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Phil Rhodes does some number crunching and comes up with some ballpark figures for a minimum budget for a movie that a) hires qualified people to b) produce something that c) an audience might actually want to watch. It's not cheap.
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This year’s Sundance Film Festival starts today with a screening of Al Gore’s ‘An Inconvenient Sequel: Truth to Power’. As such, it remains the only film festival that is held in a ski resort…in winter.
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Our Editor-in-Chief predicted video displays on beer pumps many years ago, but a certain 'Black Swan Event' foiled his other predictions for how we interact with digital signage.
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Imagine camera people and departments sharing in the residual income of projects. It's a reality for the German Society of Cinematographers, but can it happen further afield?
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Have a look at the current DJI product line-up, and what talented artists can do with it on shorts like The Circle, and it’s not hard to imagine the company expanding into other areas of the industry.
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From the sheer quality of its production values to the enormous amounts of money Amazon has spent first producing it and then promoting it, the new show from the ex-Top Gear presenters really does change the industry.
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