RedShark News

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The consensus now is that Apple is not going to make a TV.
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How we decide whether to cover a crowdfunded project
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So, how does an emerging country move onto the international stage and try and compete for production dollars? Fresh from a working tour of Colombia, Phil Rhodes reveals a modern country trying to cast itself as an increasingly viable option for runaway film productions.
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The Regent Street Cinema, one of the most famous locations in the early history of film and a key part of the genre's story in London, has just been reopened as a modern, state-of-the-art boutique cinema.
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One interesting perspective available from the halls of NAB if you knew who to talk to came from the hire company/equipment rental bosses who, faced with yet more camera models and accessories to be added to their fleets, are starting to feel the strain.
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Something is different about NAB this year and it's probably a good thing as an industry once wedded to launching new products instead discovers the joy of upgrades, modularity, durability and extending the product life cycle. Buy a new camera today and the chances are it will last a lot longer than one even from just a few years ago.
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We’ve talked before about High Dynamic Range imaging and how we think it might turn the industry on its head, providing not just more pixels but better ones with a lot more colour information. Even better though, it’s coming to a set near you soon courtesy of Dolby Vision and VIZIO. This is now a 2015 technology.
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[And Orad is bought.] The Avid press conference on Saturday morning was a fascinating confirmation that we live in a time of extreme technological change and that Avid is now an IT company - and it makes more audio than video hardware. It also announced first thing on Monday morning that it's spending around $60m buying realtime graphics company Orad.
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RedShark's App is here! It's the new best way to read RedShark, and it's available from the Apple and Android App stores. Just search "RedShark"
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NAB is coming up fast. Here's how we'll be covering it
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A recent event held at the Getty Research Institute in the USA saw the likes of Christopher Nolan argue the case for the use of film in the digital era, against a backdrop that saw a mere 39 commercial US releases shot on 35mm in 2014.
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