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Here's a Sponsored Article from Adobe, detailing the importance of Creative Cloud in bringing Pete's Dragon to the big screen. By Michelle Gallina.

On the occasion of the Star Trek's 50th anniversary, we revisit the wonderful remaster of Star Trek: The Next Generation to Blu-ray. By Joe Foster.

Signiant on the practical benefits of cloud-based media production for creative processes and workflows.

With the new Star Trek movie debuting in the cinemas, Joe Foster boldly goes into the tangled and rather messy genesis of the first ever Trek and the series that almost never took off.

Final Cut Pro X had been updating on a regular basis and then it just stopped. There are two reasons this happens at Apple: either it’s about to be killed off, or there is something new and better waiting in the wings. By Clayton Moore.

Here's a practical primer on the differences between standard and log gamma, including what you should protect while shooting in either mode. By Alister Chapman.

Alister Chapman recently attended the Cinegear show in Los Angeles where he was giving some presentations on HDR, log and raw. But he was also tasked with filming two of the sessions presented by Vittorio Storaro as well as his session at USC on the Sunday. And they were fascinating.

RED's startling new Helium sensor hasn't just been announced with some far off ship date, it looks like it's here already. Renowned RED expert and RedShark contributor Nick Morrison runs through the detail of what we know, some of the genuinely stunning implications, and where this takes us next.

Autodesk to offer Industry Collections

Published in Post & VFX

Autodesk plans to offer many of its more popular programs bundled in three different cost-saving collections, with each one aimed at a different industry — one will be for media and entertainment. By Keith Fraissinet

Apple Watch reborn, iOS 10 gets smarter, and macOS Sierra gets a new file-system (plus Siri). K Stewart on the latest news from the latest Apple jamboree.

The Panavision DXL: is three the magic number?

Published in Production

Panavision, RED, and Light Iron have jointly sent shockwaves throughout the industry with the announcement of the Millennium Digital XL large format Digital Cinema Camera. Matt Aindow takes a closer look.

The advantages of finishing the look in camera

Published in Production

Mark Andrew Job argues that creating the look on set — building one in the first place, then lighting it and allowing the actors to inhabit it — still makes for the best films and image quality.

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