RedShark News

Audio

RedShark Technical Editor Phil Rhodes delves into Dolby and how it transformed an existential dilemma into an exciting innovation for movie theater sound.
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EQ is an essential part of the audio production toolkit, but it can be difficult to control, and because of that, it's not always used to its fullest effect
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It has been a long time coming but the new DAW from (some of) the team that developed Ableton Live is likely to generate plenty of noise
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 Digital sound libraries might be marginalising the role of the foley artist and the sound designer but there really is no substitute for the sheer creativity and organic, natural-feeling sound epitomised by the likes of Ben Burtt's work on the Star Wars franchise.
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The latest iteration of the Fairlight Crystal Core Technology at the heart of the company's various digital audio mixing, recording and editing systems promises to deliver impressive track-counts and support immersive surround formats beyond 22.2, all on a single PCIe card.
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Video is only half the equation for a full production. Audio is important. To do it properly, you need skill and perseverence
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03 Feb

Electric Dreams

by Published in Audio
I can't wait to see this. It almost feels like the film I've been waiting for all my life. The reason? I've always loved making inappropriate noises from strange artefacts
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  Since the early eighties, Vangelis has been crafting silky electronic music with a uniquely personal sound. Almost defying categorisation completely, and with very little known about his personal life, he’s something of a mystery
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  With the Focusrite iTrack iPod dock, you can make studio-quality recordings with your iPad
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  Well, this is unusual. We're quite used to seeing audio sound effects libraries and samples of all kinds of things from exotic North Korean bagpipes to banjos, but this is something different
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We reviewed these at the beginning of the year. I've been using them since then and they're still brilliant. If you want to treat yourself this Christmas...
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